Sunday, November 9, 2014

Code and Modes Conference


On Saturday November 8th Hunter College hosted a symposium of documentary film makers entitled Codes and Modes. Many of the panels consisted of respected documentarians who discussed an aspect of documentary film making. At 1:30 pm in HN 436 Ernie Larson and Sherry Millner hosted a panel on Agit-Prop documentaries named Flying Under the Radar: Altering Reception to Change Perception.

Mr. Larson commenced the panel by speaking about a project he and Ms. Millner had conducted in protest of the war in Afganistan. They later went on to discuss how they have been accumulating agit-prop media from around the word and have been asked to curate international presentations of these short works.  Ms. Millner went further to illustrate as to how hard the work of gathering these films was before the advent of the internet.

The lecture was punctuated by three short films shown by international film makers. the first was Le Glas (The Deathknell). A short film in protest of the hanging of three insurrectionists within colonial Africa. The second film Was by Mario Handler titled Me Gustan Los Estudiantes. This film showed the plight of Honduran students against the dictatorial government of the time. Riotous students were inter-cut by scenes of grand government happenings all to the song "Me Gustan los Estudientes". To close the discussion Requiem for M by Philippine film maker Kiri Delena was shown. Documetning the outrage and anguish of a community in the Philippines after the murder of 30 plus individuals on their way to register to vote by a gang in favor of the incumbent mayor.

The themes touched upon in this discussion where of engagement without resulting in imprisonment. Turning the screenings of the short films into more of a participatory event with a "collective liveness". Ultimately these two self described anarchists want to engage discussion and encourage questions with their curatorial juxtaposition of work with their "radical politics and radical form".

Friday, November 7, 2014

Museum of the Moving Image

On October the 29th the film and media 160 class too a trip to the Museum of the Moving Image (MoMI). Located at historic Kaufman Astoria studios this museum is a repository to all things cinematic.

We commenced our tour with an introduction by the staff and were then broken I to smaller groups and led through the main exhibit of the museum. Our docent brought us to the optical toys that underscore the basics of film. These were all very early toys and while archaic they were fun and engaging.

One concept that I had not formally heard named was "moment of rest". I understood the principal; there must be a moment between images for each frame to register on the screen so as to not turn into a blur. Moment of rest is the empty screen between the images. While the emptiness is too rapid to register it allows the registration of each fram on the screen. The culmination of the linear frames and non-frames (moments of rest) allow for apparent motion.

This idea was brought home by the use of a zoetrope. When one looked through the top of the toy only a blur registered. When looking through the slits in the side a moving image registered to the viewer. A rather brilliant art installation illustrated these concepts further.

Feral Fount by Gregory Barsamian is a stroboscopic zoetrope with 97 independent sculptures fixed on a rotating scaffold to create a short animation when seen in conjunction with a strobe light. This art installation alone was worth the two hours of time and $6.50 of cash.